LAMENTATIONS: DICHOTOMY OF BARBARITY

“The destruction of culture has become an instrument of terror, in a global strategy to undermine societies, propagate intolerance and erase memories. This cultural cleansing is a war crime that is now used as a tactic of war, to tear humanity from the history it shares. This is why the protection of culture must be an integral part of all humanitarian and security efforts, and cannot be delinked from the protection of human lives and the support we owe to all the victims.”

— Irina Bokova, UNESCO Director-General

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LED Backlit Duratran Print and Embossed Frame
36 x 66 x 2 in | 91.4 x 167.6 x 5 cm
2016

From the Taliban’s dynamiting of the Colossal Buddha statues at Bamiyan to the exploding and bulldozing of the ancient city of Palmyra by ISIS, the world is witnessing the senseless destruction of cultural heritage sites on a massive scale as an instrument of terror and psychological warfare. The locations in Syria and Iraq are some of the latest of these barbarous attacks.  Yet, in contrast the artist highlights the parallel threat to global cultural heritage posed by a nuclear attack on one of any number of major Western cities where significant repositories of art, architecture, and artifacts of incalculable value are housed.